Starvis2 HDR?

Why don't all cameras do this already if it's been around for ages, instead of this inferior only-good-for-stationary-objects HDR?
HDR supposedly has an advantage because the fast exposure will always be very short and thus blur free, while with WDR the one exposure has to be long enough to capture some dark detail. Most decent dashcams use WDR if not using HDR, compare them to a GoPro and you see the exposure is very different.
 
That would only be an advantage if both exposures were 'fast' - because it has to take a 'fast' and a 'slow', it's never going to be blur free, and that's before the 2-frames being combined when they've been taken at different times, which would just make it worse, no?

From what I've been digging up, it seems increasingly weird that dashcam manufacturers have standardised on HDR with no motion-compensation when it's clearly less suitable for moving objects!

Still, I have an itch to try out Mini2 as I've had the v3 for a while now... what to do!!
 
That would only be an advantage if both exposures were 'fast'
No point in both being fast, then you won't be able to see detail in the dark! Also, you will get flicker problems with flickery lamps.

Still, I have an itch to try out Mini2 as I've had the v3 for a while now... what to do!!
I suggest that you wait and see what the new A229 Pro & Plus can do. Not sure that it will solve your issues, but the Mini 2 is a first generation Starvis 2 camera. Maybe with extra processing power they can do a better job of the HDR. Also, 4K can be a significant advantage because it can see plates further away where there is less motion blur.

From what I've been digging up, it seems increasingly weird that dashcam manufacturers have standardised on HDR with no motion-compensation when it's clearly less suitable for moving objects!
Yes, WDR is the better solution for video with a lot of movement, but I think we need a bit more sensitivity before it really wins over HDR, currently they both have advantages, HDR does have a larger dynamic range and the fast frame is sharper, if it can be merged effectively, which with current processing power is not an easy task. There is potential for HDR to be improved with better processing. WDR needs sensor improvements, but that will run into problems with lamp flicker.
 
No point in both being fast, then you won't be able to see detail in the dark! Also, you will get flicker problems with flickery lamps.
Yeah, that's why it's not an advantage at all, since the slow frame is always present!

I suggest that you wait and see what the new A229 Pro & Plus can do. Not sure that it will solve your issues, but the Mini 2 is a first generation Starvis 2 camera. Maybe with extra processing power they can do a better job of the HDR. Also, 4K can be a significant advantage because it can see plates further away where there is less motion blur.
That does sound more promising; Is there more info on the A229 Pro? Anyone with a pre-production model, or is it still very much in the initial stages...?


Yes, WDR is the better solution for video with a lot of movement, but I think we need a bit more sensitivity before it really wins over HDR, currently they both have advantages, HDR does have a larger dynamic range and the fast frame is sharper, if it can be merged effectively, which with current processing power is not an easy task. There is potential for HDR to be improved with better processing. WDR needs sensor improvements, but that will run into problems with lamp flicker.
Yeah, I think if some sort of motion-compensation was applied to the frame merge the current 2-frame HDR would be a lot cleaner, but it would need some image overscan and as you say a beefier processor!

I wonder if the Starvis2 can do WDR - It supposedly is one of the best sensors on the market right now so might have the sensitivity and dynamic range to pull it off!! 😊

Viofoooooo...? 😏
 
Cut the crap, how many dashcams have you owned, until now?
My guess... None.
So, take a long tour of this forum and read, and you will find everything that you need to know.
You are wrong with every letter that you are writing.
 
Wow, rude! 😆

Respectfully, @Cyker, many of your remarks in this thread about how dash cams function or how you think dash cams should function are not valid or accurate and this is obvious to many DCT members who have a lot more experience and knowledge than you appear to have, hence the comments. I think the advice to take the time to explore the forum and learn more about the subject is certainly worthwhile, especially how and why HDR functions the way it does in dash cams.
 
Yeah, I think if some sort of motion-compensation was applied to the frame merge the current 2-frame HDR would be a lot cleaner, but it would need some image overscan and as you say a beefier processor!
Motion compensation between exposures would be good for Starvis 1, but it is not necessary for Starvis 2 since the exposures are taken simultaneously.

That does sound more promising; Is there more info on the A229 Pro? Anyone with a pre-production model, or is it still very much in the initial stages...?
Next month hopefully.
 
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If I understand correctly, Starvis 2 uses DOL HDR - Digital Overlap HDR which uses the camera's rolling shutter to generate a line by line HDR image with as many as 3 exposures per image rather than two simultaneous or sequential frames at different exposures.

dol_hdr.jpg
 
Respectfully, @Cyker, many of your remarks in this thread about how dash cams function or how you think dash cams should function are not valid or accurate and this is obvious to many DCT members who have a lot more experience and knowledge than you appear to have, hence the comments. I think the advice to take the time to explore the forum and learn more about the subject is certainly worthwhile, especially how and why HDR functions the way it does in dash cams.

Fair enough, I'm still reading through a lot of threads!

There is a lot of contradictory information/posts which makes it difficult to know what's true and what's opinion tho'.

The main point of this thread was to ask and try and find out how the HDR was implemented in the Mini2, as I was expecting the ClearHDR single-frame implementation, but before I ordered it I started seeing on here some posts implying that it was the same implementation as the Starvis1 and wanted clarification. TBH I'm still not 100% sure either way, but I'm getting the feeling more that it is the traditional 2-frame HDR and not the new 1-frame one.

Thanks to those who've taken my queries with more patience, particularly Nigel.

I'll stick to 'safer' subjects until I have better grounding.
 
If I understand correctly, Starvis 2 uses DOL HDR - Digital Overlap HDR which uses the camera's rolling shutter to generate a line by line HDR image with as many as 3 exposures per image rather than two simultaneous or sequential frames at different exposures.

View attachment 66520

This is the sort of thing I mean!
In another thread, Viofo say the DOL-HDR is basically the normal type of HDR, but your reference post implies it shouldn't use multiple frames at different exposures as you say.

Additionally, Sony contradict themselves, e.g.:

"DOL HDR

When the digital-overlap (DOL) HDR feature is on, the image sensor captures two images in succession: One with a short exposure according to the bright region and the other with a long exposure adjusted to the dark region. HDR is realized by synthesizing these two images to complement one another.

However, this method involves a slight time lapse between the two shots and this can cause some artifacts, such as a blurred outline and chromatic aberration, if the target is in fast motion."

vs

"Clear HDR

When the Clear HDR feature is on, the image sensor captures two images simultaneously, one with a low gain level set to the bright region and the other with a high gain level adjusted to the dark region*2. The images are then synthesized.

This method has the advantage of delivering images of a moving target without chromatic aberration and other artifacts because the two images are captured at the same time.
The Clear HDR feature is suitable not only for security cameras but also for applications to capture moving targets, such as traffic monitoring systems and dashboard cameras."

so can you blame me for being really confused?! I'm not deliberately trying to be difficult - The information I'm getting is really inconsistent!!
 
If I understand correctly, Starvis 2 uses DOL HDR - Digital Overlap HDR which uses the camera's rolling shutter to generate a line by line HDR image with as many as 3 exposures per image rather than two simultaneous or sequential frames at different exposures.

View attachment 66520
That is a very different explanation of DOL-HDR than the one on the Sony site that Cyker linked to earlier! But why does it switch to "DOL-WDR" half way through the paragraph? Pretty sure it means DOL-HDR all the way through.

I think this explanation is far more accurate than the other one, and although in the other one they say that "Clear HDR" is best for dashcams, it seems to be DOL-HDR that gives the better results.

The main point of this thread was to ask and try and find out how the HDR was implemented in the Mini2,
I think it is using DOL-HDR with 2 exposures, same as the A139 Pro, certainly better HDR than the old Starvis 1 dashcams, the delay between exposures is zero, while in the old A119 V3 it is clearly greater than zero and makes more mess of the result. The A229 Pro has more processing power and may use 3 exposure DOL-HDR, but we will have to wait and see what the results are. It is the end result that matters, not the technology used to get there.
 
Thanks, I'm glad it's not just me going crazy!
 
This is the sort of thing I mean!
In another thread, Viofo say the DOL-HDR is basically the normal type of HDR, but your reference post implies it shouldn't use multiple frames at different exposures as you say.

Additionally, Sony contradict themselves, e.g.:

"DOL HDR

When the digital-overlap (DOL) HDR feature is on, the image sensor captures two images in succession: One with a short exposure according to the bright region and the other with a long exposure adjusted to the dark region. HDR is realized by synthesizing these two images to complement one another.

However, this method involves a slight time lapse between the two shots and this can cause some artifacts, such as a blurred outline and chromatic aberration, if the target is in fast motion."

vs

"Clear HDR

When the Clear HDR feature is on, the image sensor captures two images simultaneously, one with a low gain level set to the bright region and the other with a high gain level adjusted to the dark region*2. The images are then synthesized.

This method has the advantage of delivering images of a moving target without chromatic aberration and other artifacts because the two images are captured at the same time.
The Clear HDR feature is suitable not only for security cameras but also for applications to capture moving targets, such as traffic monitoring systems and dashboard cameras."

so can you blame me for being really confused?! I'm not deliberately trying to be difficult - The information I'm getting is really inconsistent!!

@Nigel, you have a good point about the "DOL-WDR" language. I don't know the explanation but it may have to do with what modes are being implemented.

The Starvis 2 sensor has various capabilities. It is not clear to me which modes have been enabled yet in dash cams. For example, DOL-HDR requires a dedicated signal processor which I know has been incorporated into certain recent CCTV cameras but I don't know that dash cam SoC chips yet have this functionality or if they ever will.

This is why I used the phrase, "If I understand correctly" in my earlier post.

Time will tell about how the Starvis 2 HDR functions in dash cams. I don't yet own a Starvis 2 camera.
 
For example, DOL-HDR requires a dedicated signal processor which I know has been incorporated into certain recent CCTV cameras but I don't know that dash cam SoC chips yet have this functionality or if they ever will.
The latest Novatek SoC will support 3 exposure DOL-HDR.
 
@Nigel, you have a good point about the "DOL-WDR" language. I don't know the explanation but it may have to do with what modes are being implemented.
Maybe Sony use WDR for when the multiple HDR exposures have been combined into a single WDR image, to separate the input and output of the signal processing. (Even though modern TV's refer to that output image as an HDR image!)
 
Maybe Sony use WDR for when the multiple HDR exposures have been combined into a single WDR image, to separate the input and output of the signal processing. (Even though modern TV's refer to that output image as an HDR image!)

A quick search for DOL WDR turned up the following 7 year old link. Due to its age I don't know what to make of it or how it relates to DOL - HDR.


Maybe @viofo can enlighten us about how HDR is actually implemented in their Starvis 2 cameras?
 
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A quick search for DOL WDR turned up the following 7 year old link. Due to its age I don't know what to make of it or how it relates to DOL - HDR.


Maybe @viofo can enlighten us about how HDR is actually implemented in their Starvis 2 cameras?
We use the DOL-HDR which is explained clearly on Sony's official site.
As I talked about before, the clear HDR is not doing well in nighttime recording.

The 3-exposure HDR is not available this year, maybe next year, and we don't know how it will perform.
Not sure if it is helpful to capture the car license number, normally it is good to balance the light.
 
We use the DOL-HDR which is explained clearly on Sony's official site.
As I talked about before, the clear HDR is not doing well in nighttime recording.

The 3-exposure HDR is not available this year, maybe next year, and we don't know how it will perform.
Not sure if it is helpful to capture the car license number, normally it is good to balance the light.
I am not sure if the information in this video is correct, but it definitely piqued my interest in what the author says about "Clear HDR"
This is somewhat contradictory to your explanation. Where is the truth?
 
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